- #JULIA ROBERTS PRETTY WOMAN MOVIE#
- #JULIA ROBERTS PRETTY WOMAN TV#
- #JULIA ROBERTS PRETTY WOMAN FREE#
PA: So you feel this strength from women, and even male allies were like, “Yeah, we’re not going to have any monitors around the set.” I had to do this one part with David Lynch, and I was going to have to walk around totally naked in the scene, and I was so uptight. They don’t even say anything, but they’re like, “We’re here.” PA: What I have found in these parts that have been more sexual, there’s always this coven of women from the wardrobe department and makeup people. JR: Well, you were hot as a pistol, and very compelling, but … Do you break for lunch after that? Where is everybody? Who’s standing there? It’s going to be the first time I’m ever not going to use body makeup.” I want to move away from myself and have the conversation: What kind of body types are acceptable? Who’s sexy, and who gets to decide who’s sexy? For me, when I was looking at the sex scenes in “Escape at Dannemora,” it was like, “I’m going to gain all this weight.
#JULIA ROBERTS PRETTY WOMAN FREE#
So I’m really uptight, and yet I’ve played several parts that are very sexually more free than I am, and comfortable. I take baths in the dark often, really in real life. PA: For me, I’m completely the opposite in my personal life. I was breaking out in a cold sweat watching “Escape at Dannemora.”… Oh, my Christ. Even in “Pretty Woman,” if I had to be in a slip, I’d be covered in hives. But I also had a fantasy of recasting you in “3,000,” the original script, and you could even do it now. And it became more something that is in my wheelhouse. I thought, “Went to Disney? Are they going to animate it?” Garry Marshall came on, and because he’s a great human being, he felt it would only be fair to meet me, since I had this job for three days and lost it. JR: There was one producer that stayed with the script, and it went to Disney.
#JULIA ROBERTS PRETTY WOMAN MOVIE#
This small movie company folded over the weekend, and by Monday, I didn’t have a job. JR: I got the part in “3,000.” I love that you’re asking me this question, but I had no business being in a movie like that. When you first read it, it was that incarnation. So it really read like a gritty art movie. JR: Threw her out of the car, threw the money on top of her, as memory serves, and just drove away, leaving her in some dirty alley. PA: So many, many, many years ago, one of my early auditions was for a movie called “3,000.” Most people don’t know that “3,000” was the original “Pretty Woman” script.
#JULIA ROBERTS PRETTY WOMAN TV#
And they proved that they retain the capacity to surprise. Arquette went dark, first as a prison employee involved in a breakout on Showtime’s “Escape at Dannemora” and then as a villainous mother on Hulu’s “The Act.” And Roberts, among the last holdout movie stars to make the leap into television, found a project worthy of her dramatic chops, as a therapist at a facility for war veterans on Amazon’s “Homecoming.” TV may have been a new frontier for Roberts - but she took to it as easily as Arquette did to interviewing.
Roberts and Arquette have both won Oscars and every other award known to womankind.
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